Thames guide

Booking a boat for a Thames shoot

What to tell us, how we match the boat to the shot, and what changes the cost. Everything a producer needs before the first call.

At a glance

  • Start with the shot: what the camera needs to see decides the boat.
  • A boat carrying a film crew must be licensed to carry passengers, with a skipper qualified for the Thames.
  • Early starts, night work, a second boat and extra permissions are what change the cost most.
  • We reply within the hour, 8am to 8pm, 7 days, and quote the same day for most shoots.

Start with the shot

The boat follows from the shot. A tracking shot alongside a moving boat needs speed and a low deck. A roundtable or an interview needs space, shelter and a steady platform. A drone needs a clear deck to launch from. Tell us what the camera needs to see, and we match the boat to it, to the tide and to the time of day.

What to tell us

  • Where on the river, even roughly
  • The date or dates, and how fixed they are
  • The shots, or a script or shot list
  • Who is on board: crew, cast and clients
  • The kit: cameras, rigs, lights and power
  • Whether you need a drone
  • Whether you want the boat only, the boat and crew, or the whole production
Drone on a hatch on the aft deck of a boat in the Pool of London, the pilot standing by the wheelhouse
A clear aft deck in the Pool of London, set up for a drone shoot.

Licensed boats, qualified skippers

A boat carrying a film crew on the Thames is working commercially, and the PLA expects it to be licensed to carry passengers. Every boat we put on the river is. Every Thames skipper holds a Boatmaster Licence with PLA local knowledge, or the equivalent. Between Putney Bridge and the Thames Barrier area that local knowledge is compulsory, and the PLA only tests skippers who have logged at least 60 days on that stretch.

What changes the cost

  • Early starts and night work. Crew hours either side of the light.
  • A second boat, for safety cover, a drone or a video village.
  • Permissions, such as the London Heliport’s for a drone near Battersea, which carry their own fees on top of the PLA’s.
  • The size and number of boats the shoot needs, and the hours on the water.

Tell us your budget and we will tell you honestly what it buys.

Watching from the water

Clients and directors can watch from the film boat. For bigger crews or busier shoots we add a second boat, or set up on a pier, as a video village with live pictures near the action.

Holding a date

We can pencil a date while you confirm, and a deposit secures it. Dates can usually be moved up to five days before, and if we call a shoot off because it isn’t safe to take the boats out, we agree a refund or a credit note. Paid standby and weather-hold days are available, and the details are set out in your quote terms.

We reply within the hour, 8am to 8pm, 7 days, and quote the same day for most shoots. Then we plan, apply for the permissions and turn up ready. A day on a Thames shoot covers the day itself, and the permissions guide covers the paperwork.

Planning a shoot?Tell us where on the river and when. We reply within the hour, 8am to 8pm, 7 days.

Plan a Thames shoot

or call 020 3039 3931

Thames shoot planner

Plan your Thames shoot

Tell us where on the river, when and what you are filming. We reply within the hour, 8am to 8pm, 7 days, and quote the same day for most shoots.
Rather talk? Call or WhatsApp 020 3039 3931