Drone filming

Marine drone filming

Ships, yachts, tows, events and productions filmed from the air, flown from our boats, the shore or set by CAA-qualified pilots, from compact drones to heavy-lift cinema rigs and FPV.
In the air, from the water

Aerials that fit the rest of the shoot

We fly from boats, from the shore and from set, and plan the aerials alongside the rest of the shoot so the drone is in the right place at the right moment. We hold standing airspace permissions over the Thames, so we can often fly at short notice. Our drone work is flown by CAA-qualified pilots from UAS London, our sister brand.

What we film from the air

The Cory tug Rebelle under way in the Pool of London with a loaded waste container barge in tow
Tugs, tows and river freight filmed doing the job, without the crew changing what they do for us.

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End of Tideway Tow: FPV + Cinematic Filming
Crane barges, pontoons and moves through the bridges, close in by FPV and wide on a long lens.

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Lürssen Superyacht Odisea
Yachts at anchor, at a berth or under way, filmed and photographed from the air.

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The multicat Emilia D towing a pontoon carrying a giant inflatable Jason Statham seated on a pink Mutiny shipping container past the Thames foreshore in London
Brand moments, parades and launches on the river, followed from the air.

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Drone operator Ella Goldsmith holding her drone and controller on our RIB on the Thames, with Big Ben, the Houses of Parliament and Westminster Bridge behind
Aerials for film, TV and music videos, planned with the boats and the rest of the unit.

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Blue hour aerial photograph of Tower Bridge and the illuminated City of London skyline
Landmarks and lit-up vessels from golden hour through blue hour to full dark.

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Over water

Why marine drone filming is its own job

Over water there is no ground to land on, and the subject rarely stays still. A vessel under way keeps to a schedule, throws a wash and has a crew who need room to work, so positions and distances are agreed with them before anything moves. The wind runs stronger over open water than over the streets either side, and the sun comes back off the surface, so each pass is planned against the wind and the light. Flying from the boat solves most of it: the skipper moves the launch point with the subject, which keeps the drone close and in the pilot’s sight.
The kit

From compact drones to heavy-lift cinema rigs

We fly our own drones, and heavy-lift rigs when the shot needs a full-size cinema camera in the air.
From our work

Marine drone filming on the Thames

End of Tideway, for CPBS Marine Services. The final Tideway tow, a crane barge through central London. An FPV drone flew the close passes along the tow, and a second drone on a long lens held back for the wide frames, under NATS permission, with positions agreed with the CPBS crews before the tow moved.
Cory’s tug Regain, for Cory Group. Filmed towing barges of waste containers on the Thames. The drone stayed well off the tow and long lenses did the close work, so the shoot fitted round the tug’s working day.
Dutchmaster at night, for Thames Leisure. The party boat under way after dark, lit up against the London skyline and filmed from the air.
Questions

Drone filming questions

Aerial filming of vessels, the water and the work done on it: ships and tugs under way, yachts, tows and marine works, events on the river, and productions shooting on the water. Most of it is flown from a boat, so the drone can stay with a moving subject.

Yes, and that is most of what we do. We agree positions and distances with the crew beforehand, keep the drone well off the vessel and use long lenses for the close work, so the boat keeps to its schedule.

Often, yes. Much of central London sits inside flight restriction zones and restricted airspace. We hold standing airspace permissions over the Thames, and apply for what every other flight needs.

Tell us as early as you can. We hold standing airspace permissions over the Thames, so we can often fly at short notice. Elsewhere we apply job by job, and the earlier we apply the better.

Yes. We fly heavy-lift drones such as the Freefly Alta X carrying a RED Komodo or an ARRI ALEXA Mini, plus FPV cinelifters for fast, close work.

Yes. FPV gives the fast, close passes along a hull or a tow that put the viewer on deck, and we pair it with a second drone on a long lens for the wide frames.

Yes, with the right permissions, from the shore or from a boat.

Raw files within 48 hours as standard, and the same day on request, by secure download link.

Yes, through our sister brand UAS London, which handles surveys, inspections and construction work.

Trusted by
  • Prime Video
  • Channel 4
  • BTS
  • 72 Films
  • Stellar
  • Media MICE
  • tda! (The Digital Age)
  • EGOLD MEDIA
  • Surfers Against Sewage
  • Superfly Media
  • Chieftain Training
  • CPBS Marine Services
  • MMS Marine Services
  • DroneScope
  • Drone Motion
  • Craft Films
Qualified people on every boat
Skippers qualified to MCA Master (Code Vessels less than 200 GT) and Officer of the Watch (Yachts less than 500 GT) · Every Thames skipper holds a Boatmaster Licence with PLA local knowledge, or the equivalent · CAA-qualified drone pilots · £10m public liability, professional indemnity, aviation and marine insurance · PLA, harbour, airspace and location permissions handled

Tell us about your shoot

We reply within the hour, 8am to 8pm, 7 days, and quote the same day for most shoots. Already working with us? We are on call day or night.
Or call or WhatsApp 020 3039 3931