The light. We plan for the light, so the boat is in position for golden hour or blue hour rather than chasing it.
The angle. Shooting from the water puts the camera low and level with the subject, the way the river is seen from a boat rather than from the bank.
From the air. Aerial stills show the scale of a vessel or an event, with the airspace approvals handled.
Delivery. A selected set the same day on request, and the full set within 48 hours, ready for press, sales or social.
Our productionsOrca Fisher: James Fisher Tanker Thames TransitAerial photography tracking the new James Fisher tanker Orca Fisher as she transits the River Thames past Canary Wharf and moors alongside HMS Belfast in the City at dusk.Read the job
Our productionsCrew Transfer Photography: Tug Operations at ChathamAerial photography of a workboat crew transfer at first light on the Medway: a Damen Stan tug working onto the dockyard wall at Chatham to put crew ashore.Read the job
Our productionsThe Glaukos roundtable, filmed on the ThamesFive eye specialists around one table, filmed on board as the boat passed Westminster and the London Eye.Read the jobYes, from a camera boat alongside and from the air, planned around the light and the tide.
A selected set the same day on request, and the full set within 48 hours.
Yes, on board and from the water and the air, so you have the event and its setting.
Yes, with the airspace approvals for the position.
